The UMKC Trustees and School of Humanities and Social Sciences are proud to introduce the Marilyn T. and Byron C. Shutz Lecture Series. This annual series hosts lectures, seminars, and workshops in fields such as creative writing, literature, and art history.

Upcoming Events

November 13, 2024 6:30 pm (CDT)

(In-person) Screenland Armour Theater 

Queer Independent Filmmaking in the Midwest

Join the Shutz Lecture Series for a lecture and screening from award-winning film director, producer, and screenwriter Wendy Jo Carlton.  Her talk will focus on her work creating authentic fiction films and television as a queer midwestern artist making independent work.  Wendy Jo just completed production on her fourth feature film - Lucy is a Loser, an independent feature film about the healing power of weirdness, music, human touch, and other vibrations.  Her works have screened internationally, including at Sundance, The AFI, on PBS, Outfest, Women in the Director’s Chair, and the Vancouver, London, Chicago, Austin, and San Francisco Lesbian Gay Film Festival among others.  Her film Jamie and Jessie are Not Together was called the first lesbian RomCom musical, and rated as one of the “Top 100 Lesbian Movies of All Time”.  Her other features can be viewed on  Netflix, Hulu, AppleTV, and Amazon Prime.  Carlton was also an Associate Producer on the award-winning documentary, Circus of Books, on Netflix (2021). Her award-winning lesbian web series, Easy Abby, has received over 100 million views online.  A first-generation college graduate, Wendy Jo founded a media literacy film program for teen girls called Chicks Make Flicks, before earning an MFA in Film from the University of Illinois Chicago. 
UMKC Affiliated
UMKC Non-Affiliated
Portrait of Wendy Jo Carlton
Wendy Jo directed her first feature, Hannah Free, starring Emmy-winner Sharon Gless, in 2009. Her second feature, Jamie and Jessie are Not Together, is said to be the first lesbian RomCom musical, with film critic Roger Ebert giving it a glowing review, and AutoStraddle.com lists Jamie and Jessie are Not Together as one of the “Top 100 Lesbian Movies of All Time”. Carlton’s third feature, Good Kisser, debuted on Netflix and Hulu and is now on AppleTV and Amazon Prime.
Carlton was an Associate Producer on the award-winning documentary, Circus of Books, on Netflix (2021). Her award-winning lesbian web series, Easy Abby, has received over 100 million views online and is the most viewed series on OML TV’s YouTube channel.
Wendy Jo founded a media literacy film program for teen girls called Chicks Make Flicks, before earning an MFA in Film from the University of Illinois Chicago. Carlton’s early short films screened internationally, including the American Film Institute and Sundance.  
Portrait of Wendy Jo Carlton

This Year's Past Events

Centering Community in the Peripheral Manuscripts Project

The Peripheral Manuscripts Project is a four-year initiative funded by the Council on Library and Information Resources and culminating in November 2024. By digitizing and cataloging hundreds of medieval manuscripts held in twenty-two partner collections across the Midwest, this collaborative project aims to bring attention to and celebrate the medieval manuscripts in the region, as well as the communities that study and care for them. This talk focuses on those communities as they shift throughout history. Beginning with the ways the project strives to foster community with and among our partners, our attention will then move backward in time, considering contemporary and past communities of researchers and donors and their connections with manuscript-holding institutions; rare book dealers, biblioclasts, and networks of national sales and exhibitions; and finally, the medieval communities that project items originated in or moved through. While weaving together these examples of manuscripts that suggest patterns of circulation and traces of past communities, this talk also reflects on the way the Peripheral Manuscripts Project has allowed the project team to do medieval studies in their own backyard, within their own communities.

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Liz Hebbard is Assistant Professor of French/Francophone Studies in the Department of French and Italian at Indiana University, and founding co-director with Patricia Ingham of the Indiana University Book Lab. She is a specialist of the music and literatures of medieval France, particularly French and Occitan song, and a paleographer and codicologist specializing in medieval manuscripts, with particular interest in pre-modern book production and book crafts, material culture, and the reuse of parchment manuscripts as binding material. She has published on troubadour and trouvère song and its reception, medieval manuscripts in Midwestern collections, manuscripts as spoils of the Napoleonic Wars, and on the early 20th century American biblioclast Otto Ege. She has just finished her first book, Manuscripts and the Making of the Troubadours. Hebbard is the Primary Principal Investigator of the Peripheral Manuscripts Project, which will be the focus of her talk.

 Video Recording

Portrait of Elizabeth Hebbard

 

Artificial Intelligence and Human Creativity  

ChatGPT, Midjourney, Alexa, Siri. Artificial intelligence has become ubiquitous in our daily lives. Embrace it, fear it, or ignore it? What is the optimal interaction between humans and AI? How can generative AI tools be used creatively to move beyond the functions for which they were designed? Join these three artists and professors as they discuss ways in which they use AI to aid in design processes, improve human interactions, and interrogate power structures.

Vernelle A. A. Noel is an Assistant Professor of Computational Design at Carnegie Mellon University and director of the Situated Computation + Design Lab. With a background in architecture, art, and design, Dr. Noel investigates embodied and technological practices, the built environment, and their societal intersections to create new frameworks, tools, and expressions. She has won awards from the Graham Foundation and the Mozilla Foundation. Dr. Noel is also the recipient of the DigitalFUTURES Young Award for exceptional research and scholarship in the field of critical computational design. She has a TEDx Talk titled
The Power of Making 
Portrait of Vernelle A. A. Noel
Kimberly Lyle is an artist and assistant professor of Sculpture and Technologies at the University of Georgia. She received an MFA in Intermedia from Arizona State University and a BA in Psychology and Studio Art. Her work challenges the social values historically embedded in emerging technologies and explores how they affect our relationship with the natural world. Lyle is the recipient of fellowships and residencies at Sculpture Space, Mildred’s Lane, Elsewhere Museum, Signal Culture, and the Vermont Studio Center. Her work has been featured in symposia such as ISEA (Gwangju, Korea); Flux Factory (NYC); International Conference on Contemporary Cast Iron Art (Berlin, Germany); Tangible, Embedded and Embodied Interaction Conference (Tempe, AZ).
Portrait of Kimberly Lyle
Lillian-Yvonne Bertram is an African American writer, poet, artist, and educator who works at the intersection of computation, AI, race, and gender. They direct the MFA in creative writing program at the University of Maryland and are a 2024 Foundation for Contemporary Arts poetry grant recipient. Dr. Bertram holds a PhD in Literature & Creative Writing from the creative writing program at the University of Utah. They are the author of several poetry collections, including Negative Money (Soft Skull, 2023) and Travesty Generator (Noemi Press, 2019), winner of the 2018 Noemi Press Poetry Prize, and a finalist for the National Poetry Series. Their honors include a 2017 Harvard University Woodberry Poetry Room Creative Grant and a 2014 National Endowment for the Arts Poetry Fellowship.
Video Recording
Portrait of Lillian-Yvonne Bertram

 

Lucy Rider Meyer and the Training School Movement

Between 1880 and 1915, nearly sixty Protestant Christian training schools opened as part of a general effort to equip lay people (not clergy) for city and foreign missions. Not only were these training schools responding to churches’ expanding global outreach but also the critical needs that accompanied the rapid urbanization of U.S. cities and the influx of immigrants. When Lucy Rider Meyer established the Chicago Training School for Home and Foreign Missions in 1885, she was at the front of this educational movement. The Chicago Training School became a launchpad for additional schools, institutions, and efforts including the deaconess vocation for women. In this presentation, Dr. Lisa Shaver, who is currently completing a rhetorical biography on Lucy Rider Meyer, will introduce Rider Meyer and discuss her role in promoting training schools for women. Of local interest, the training school movement included the Kansas City National Training School (1899-1964) and Scarritt Bible and Training School, which opened in Kansas City in 1887 and moved to Nashville in 1924.

 

A professor of English at Baylor University, Dr. Lisa Shaver teaches courses in rhetoric and professional writing. Her research interests include women's rhetoric, history of rhetoric, writing across the curriculum, professional writing, and literacy studies. Her work has appeared in College English, Rhetoric Review, and the Journal of Business and Technical Communication. Shaver is the author of  Beyond the Pulpit: Women's Rhetorical Roles in the Antebellum Religious Press (U of Pittsburgh Press, 2012) and Reforming Women: The Rhetorical Tactics of the American Female Moral Reform Society, 1834-1854 (U of Pittsburgh Press, 2019).

Portrait of Lisa Shaver

 Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics

Join us for a presentation by Sam Langsdale, author of Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics, published this September. Her research explores how female-led superhero comics with diverse, inclusive storytelling thrive on the margins of the mainstream genre. Through a feminist lens, Langsdale reveals how these marginalized spaces become sites of innovation, shaping powerful superhero narratives that challenge and redefine traditional norms.

Dr. Sam Langsdale (she/her) is an independent feminist scholar whose work focuses on the cultural politics around representations of gender, sexuality, and race in visual culture. Her comics research has been published in peer-reviewed journals such as Signs: Journal of Women in Culture and Society, and in award-winning volumes like Supersex: Sexuality, Fantasy, and the Superhero (UT Press). She is also the proud co-editor of Monstrous Women in Comics published by University Press of Mississippi. Her monograph, Searching for Feminist Superheroes: Gender, Sexuality, and Race in Marvel Comics, published by the University of Texas Press, is now available. You can read more about her work here: https://www.samlangsdale.com/

Portrait of Sam Langsdale